At Supercrawl 2026
At Supercrawl 2026 in Hamilton, beacbeac ran at seven activations across the festival. The beacons carried stage schedules and, in the Art Zone, the artists’ names and a description of each piece, with the content updated daily through the weekend.
- TD Main Stage
- Grant Ave Stage
- TD Coliseum / Hamilton Hammers North Stage
- HCE Theatre
- the Fashion Tent
- the Author’s Tent
- the Art Zone

Read the transcript
[The beacbeac wordmark and the words “Access Amplified” appear over a busy festival street in Hamilton, with a large painted mural on the building behind. A band plays on a lit outdoor stage.]
[At the beacbeac booth, beside a banner that reads “This isn’t an empty frame. It’s an inaccessible experience.”, two men speak into a handheld microphone. On-screen text: Alex & Christopher · BluHeron Interactive.]
Alex and Christopher: Hey, I’m Alex — and I’m Christopher. We are the co-founders of BluHeron Interactive. We have these low powered Bluetooth beacons set up around the festival, at the stages, and where the events are happening, that deliver dynamic content throughout the weekend, that we’re delivering as stories to people’s devices who have the app installed.
[Crowds fill the street. A wrestling match takes place in a ring set up on the road. A man with a white cane walks through the crowd.]
[On the festival street. On-screen text: Ali Khalil · Accessibility Consultant, centre[4]arts.]
Ali Khalil: So my name is Ali Khalil. I’m a person with vision loss. So if I’m in a gallery, I could just walk in, use the beacbeac app, and get that information in real time so I can experience the physical realm and the digital realm. And as a person with vision loss, independence is everything, so I’m glad that this technology works.
[Close-up of a phone showing the beacbeac app.]
[Outside the centre[4]arts storefront. On-screen text: Ian Masterman · Board Member, centre[4]arts.]
Ian Masterman: With beacbeac, it lets me do that. I can kind of free up a little bit of space in my head and in my, uh, and just enjoy the art and actually like experience it rather than spending my time working, basically. I absolutely love the app.
[Ali walks along the street with his white cane.]
[Beside the “This isn’t an empty frame” banner. On-screen text: Yvonne Felix · Executive Director, centre[4]arts.]
Yvonne Felix: When I think about navigating the world, it’s kind of like being in a haunted house, except the lights are on. Imagine walking through the world in broad daylight, but you don’t know what’s there, and at any time, something can jump out and interact with you.
[Inside a gallery, beside a projected artwork. On-screen text: Paris Reid · Programming, centre[4]arts.]
Paris Reid: The beacons also have helped the process in which we formulate the gallery. So it’s changed the way we even think about setting up the space and how we want the artists to explain their work, and it’s opened up a dialogue about accessibility in a really unique way.
[A mural reading “Behold the Guardians of Steel City” is painted from a lift.]
[Near the TD stage. On-screen text: Lisa La Rocca · Festival Director, Supercrawl.]
Lisa La Rocca: Hi, I’m Lisa La Rocca. I am the festival director of Supercrawl. We were so excited to have beacbeac involved in Supercrawl this year, increasing our accessibility initiatives. It’s been great to have, you know, the information we have available on their application, schedules for all of the stages of all of our artistic programming and all of the art installation.
[Shots of the centre[4]arts storefront, and of a fashion show on a runway under a tent.]
Lisa La Rocca: So, yeah, great first year of the partnership, and we’re so excited to continue working with beacbeac.
[The beacbeac wordmark and “Access Amplified” on black.]
